Shakespeare (worship of . . . ) n.: bardolatry
[In Germany], in the 18th century, Shakespeare enthralled scholars, actors and directors in such numbers that Goethe was moved to ruminate on the rampant bardolatry in an essay titled “Shakespeare ad Infinitum.” (Barry Hillenbrand, The Arts & Media/Theater: “Can This Be Shakespeare?” Time International, 12/5/1994, p. 52.)
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